Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; Related Paintings of Camille Pissarro :. | Le Vieux Pont de Chelsea, Londres | Cloudy garden | Dodge College | LaVarenne-Saint-Hilaire,View from Champigny | Jack Church | Related Artists: hertigen av orleansSamuel Dircksz van Hoogstraten1627-1678
Flemish Samuel Dircksz Van Hoogstraten Galleries Eero Jarnefelt (8 November 1863 - 15 November 1937) was a Finnish realist painter.
Eero Järnefelt was born in Viipuri, Finland. His father August Aleksander Järnefelt was an officer in the Russian army and his mother was Elisabeth Järnefelt. He studied at the St. Petersburg art academy between 1883 and 1885, the same school at which Albert Edelfelt had studied. Eero Järnefelt's sister Aino Järnefelt married composer Jean Sibelius in 1892,
Eero Järnefelt's sisters and brothers were Kasper, Arvid, Aino Ellida, Ellen, Armas, Hilja and Sigrid.
He went to study in Paris in 1886, where he became friends with Akseli Gallen-Kallela, Emil Wikström and Louis Sparre. He was inspired by the plein-air and naturalistic paintings of Jules Bastien-Lepage
On a trip to Keuruu in 1889, he met actress Saimi Swan. They were married in 1890.
His most famous painting is probably The Wage Slaves (Raatajat rahanalaiset or Kaski, from 1893, External link), depicting slash-and-burn agriculture.
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